Critical Studies in Television
The International Journal of Television StudiesWe are delighted to announce that effective the 4th September 2015, this title (previously published by Manchester University Press) will now be published by SAGE. For more information on the transfer of 10 titles from MUP to SAGE please click here.
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
CSTonline is updated weekly to include industry and journal news, CFPs, event announcements (conference, symposia), as well as various blogs (where scholars reflect on various aspects of television studies). It also includes information about TV archives and resources, where to study and the latest research news.
Books for review should be sent by publishers to:
Amy Harris
Student Advice Centre
0.42 Clephan Building
De Montfort University
The Gateway
Leicester
LE1 9BH
This journal is a member of the Committee on Publication Ethics (COPE).
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
CSTonline is updated weekly to include industry and journal news, CFPs, event announcements (conference, symposia), as well as various blogs (where scholars reflect on various aspects of television studies). It also includes information about TV archives and resources, where to study and the latest research news.
Kim Akass | CSTonline, Rowan University, USA |
Hannah Andrews | Senior Editor, University of Lincoln, UK |
Catherine Bessenger | In Translation Editor, Aarhus University, DEN |
Simone Knox | Reading University, UK |
Stephen Lacey | University of South Wales, UK |
Janet McCabe | Birkbeck, University of London, UK |
Vilde Schanke Sundet | University of Oslo, NO |
Elke Weissmann | Edge Hill University, UK |
Will Abiss | Victoria University of Wellington, NZ |
Robert Watts | University of Manchester, UK |
Kevin Geddes | Edinburgh Napier University, UK |
Christine Geraghty | University of Glasgow, UK |
David Levente Palatinus | Technical University of Liberec / University of Trnava, Slovakia |
Tobias Steiner | University of Hamburg, GER |
Kim Akass | CSTonline, Rowan University, USA |
Catherine Bessenger | In Translation Editor, Aarhus University, DEN |
Stacy Abbott | Northumbria University, UK |
Sarah Cardwell | University of Kent, UK |
John Corner | Liverpool University, UK |
Glen Creeber | Aberystwyth University, UK |
Tricia Dunleavey | University of Wellington, NZ |
Gary R Edgerton | Butler University, USA |
John Ellis | Royal Holloway, University of London, UK |
Matt Hills | University of Huddersfield, UK |
Su Holmes | University of East Anglia, UK |
Douglas L. Howard | Suffolk County Community College, USA |
Jason Jacobs | The University of Queensland, Australia |
Deborah Jermyn | University of Roehampton, UK |
Cathy Johnson | University of Leeds, UK |
Catherine Johnson | University of Huddersfield, UK |
Lorna Jowett | University of Northampton, UK |
Ben Lamb | Teesside University, UK |
Eleni Liarou | Birkbeck, University of London, UK |
Ruth McElroy | Bangor University, UK |
Jamie Medhurst | Aberystwyth University, UK |
Brett Mills | University of Huddersfield, UK |
Caitriona Noonan | University of Cardiff, UK |
Roberta Pearson | University of Nottingham, UK |
Zoe Shacklock | St Andrew’s University, UK |
Susan Turnbull | University of Wollongong, Australia |
Marit Waade | Aarhus University, Denmark |
Helen Wheatley | Warwick University, UK |
Helen Wood | Lancaster Univeristy, UK |
John Wyver | University of Westminster, UK |
Susanne Eichner | Aarhus University, DEN |
Juan Francisco Gutiérrez Lozano | University of Málaga, ESP |
Berber Hagedoorn | University of Groningen, NL, Netherlands |
Luca Barra | Universitá di Bologna, Italy |
Milly Buonanno | University of Rome, La Sapienza, Italy |
Alexander Dhoest | University of Antwerp, Belgium |
Kai Hanno Schwind | Kristiania University College, Norway |
Irena Reifová | Karls University Prague, Czech Republic |
Gry Rustad | Inland Norway University of Applied Sciences, Norway |
Sylwia Szostak | University of Silesia in Katowice, Poland |
Kim Akass | CSTonline, Rowan University, USA |
Stephen Lacey | University of South Wales, UK |
David Lavery | Middle Tennessee State University, USA |
Janet McCabe | Birkbeck, University of London, UK |
Robin Nelson | Central School of Speech and Drama, University of London, UK |
Rhonda V Wilcox | Gordon College, USA |
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Manuscript submission guidelines can be accessed on Sage Journals.